-a general statement from Hoskins about his work:

As a visual fine artist, it is customary for me to work abstractly or nonrepresentationally in conventional mixed media; painting and drawing combined. Everything I do is manual. My work is made with old media:  cotton canvas on wood stretchers, paint, drawing media and paper. I paint and draw and make collages. Usually any of this is done in cohesive series but occasionally disparate/anomalous pieces are produced.

Attention is focused upon line and edge, the tactile properties of the material, color and spatial relationships, balance or imbalance; any factors, components, consideration or discernment engaged or enacted during the process of visual composition. There never was a Plan.

My work really isn't about anything other than actual painting and drawing. It is not rhetorically dependent or reliant upon “content” as its excuse. It could be seen, I suppose, as politically irrelevent; art of itself. At any rate, it is not social engagement. I have no intent in mind other than to make Art.  Anything evoked within the viewer is of the viewer's own perception.

In short; Exploration and refinement of aesthetic criteria comprise my motivation.  

                                                                   

addenda:

With accrued hindsite I can see there has been an evolution in the work, and by now, I am perpetually recirculating or modifying ideas and tendencies from the bag of tricks. 

I don't pay much attention to any gallery "scene" although there was a time when it influenced me more directly than it does now.  Observing from the margins, I see The Art World as not a community at all but rather a milieu of cartels and cabals, privileged ol' boy networks &/or covens of sanctimonious misandrists and genderists, factionally invested swinging dicks and politically advantaged cracked crotch cases, pampered deskilled legions, one trick ponies and the excessively acclaimed, mercenary alliances veiled in a PC guise secured by undermining agents, byzantine gatekeepers, influence peddlers, cavalier academicians gaming The System, getting over throbbing for job security and benefits packages -and so on. That's artbiz, the same as in The Real World; $ & politics. Even so; they will not succeed in persuading me to hate art or to be ashamed to admit that I too am an "artist". So what? -mh


To gain distance from the Dirty Little Story that is Contemporary Art, it may be helpful to consider The Big Picture as stated below by a math genius friend:

To put things in perspective I like to think of the universe's point of view.  If we shrink the universe's lifetime down to a human life span, then a human lifetime similarly shrunk would be about three seconds, and all of recorded human history would be about three minutes.  If we engineered a new species of microbe three minutes ago and each microbe lived about three seconds, would we consider it a tragedy if one only lived 2.5 seconds or a victory if it lived 3.5 seconds?  Or if a bad microbe election outcome meant chaos for the next 0.15 seconds and damage whose echoes lasted another half-second, would that be a big deal from our point of view? -G. Crockett

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IWBOSE (ItWillBeOverSoonEnough)

IWBOSE / ItWillBeOverSoonEnough

Art is too serious to be taken seriously.

Art is art. Everything else is everything else. -Ad Reinhardt